摘要
相对于现代美学的主体间性而言,中国古典美学的主体间性是前主体性的主体间性,即主客体尚未充分分化、主体未获得完全独立状态的主体间性。中国美学的意象概念就是这种古典主体间性的体现。意象概念的形成经历了意与象的合成过程,体现了"天人合一"的哲学境界。意象通过审美感兴而产生,突破物我、人我的屏障,达到了主体间性的审美境域。
Compared to the intersubjectivity of modern aesthetics, the intersubjectivity of classical aesthetics of China is pre-intersubjectivity,in which the subject and the object have not fully separated, and the subject hasn＇t gained its independent position. The image ideas of China＇s aesthetics are the typical embodiment of this classical intersubjectivity. The formation of image ideas has experienced the combina- tion of image and representation, which reflects the philosophical state of the oneness of the heaven and the human beings. Generated by aesthetics, image can break through the restraints of material selfness and spiritual setfness,and reach the aesthetic state of intersubjectivity.
出处
《吉首大学学报（社会科学版）》
北大核心
2011年第4期21-25,共5页
Journal of Jishou University(Social Sciences)
关键词
意象
主体间性
中国古典美学
image
intersubjectivity
classical aesthetics of China
