摘要
境界概念的意涵及其相关问题,一直是中国美学及文论界讨论的重要话题之一。综合来看,王国维对境界及意境概念的阐释与《诗格》中的“三境”说法基本一致。物境强调“以物观物”的境真,情境强调“以我观物”的深情,意境强调“意与境浑”的意真,不同形态的境展现出不同的主客体功能和价值。而王国维特别强调出第三者的“观”,使主体人具有了超脱物我二元世界的观察和体会,从而赋予了境界概念以显现人与天地和融一体的大道生命本质的内在属性。由此,境界概念不仅成为统合三境的共有概念,而且成为艺术及美的本质表达,进而打通了艺术、美学和哲学的界限,成为中国美学最具普遍性也最具深意的美学范畴。
The meaning of the concept of poetic scape(境界)has always been an important topic of discussion in the Chinese aesthetic and literary circles.Overall,Wang Guowei's view on the poetic-scape(境界)is basically consistent with the“three realms”in the Book of Shige(《诗格》).The materialistic realm(物境)emphasizes the truth of“observing things with objects”,the emotional realm(情境)emphasizes the deep emotion of“observing things with me”,and the artistic realm(意境)emphasizes the truth of“meaning and environment mixed”.Different forms demonstrate different functions and values of subject and object.Wang Guowei particularly emphasized the“view”of a third party,which gave the subject a transcendent observation and experience of the dualistic world of things and me,thereby endowing the concept of poetic-scape(境界)to demonstrate the life attributes of the unity of human and universe.The concept of poetic-scape(境界)not only becomes the concept of the three realms,but also the essential expression of art and beauty,which has opened up the boundaries of art,aesthetics and philosophy,and has become the most universal and profound aesthetic category in Chinese aesthetics.
出处
《古代文学理论研究》
2024年第1期67-91,共25页
Studies of Ancient Chinese Literary Theory
基金
厦门大学嘉庚学院校级预研项目“《红楼梦》情节叙述的自然主义诗学建构”(项目编号:YY2023W01)阶段性研究成果
关键词
境界
三境
观
本质
王国维
poetic scape(境界)
three realms
view
essence
Wang Guowei
