摘要
近十年来,国内美学界关于自然美的元理论探索已基本位移为生态、景观、环境等门类美学的研究。其中,生态美学为重新认识自然美提供了全新的理论基础。但是,从中国当代美学自身的逻辑进程看,生态美学的出现并不意味着中国当代美学自身传统的断裂,而是同一命题的有序演绎。这一命题就是"自然的人化"。马克思《1844年经济学哲学手稿》中的自然人化思想是具有理论弹性和开放性的。自20世纪50年代进入中国后,它就由劳动实践层面的"人化"逐步向人的感觉、情感、伦理、语言层面拓展,并最终预示了景观美学的产生。因此,所谓的"自然人化"也就是自然的景观化,景观美学不过是"自然人化"的理论完成。与此相反,生态美学对人的主体性的遏制和消解,意味着它是"自然人化"理论的反题,但这一"反题"的出现却使建基于机械唯物论的自然美理论有了重新复活的重大契机。根据以上判断,中国当代美学史虽然总体上表现为对西方理论不断作出回应的历史,但它却依然围绕其核心命题完成着自身的理论运动。
The research about the natural beauty in the field of Chinese aesthetics has been expanded according to the ＂humanization of nature＂ since 1950s, which was mentioned in Karl Marx＇s Economic and Philosophical Manuscripts. The natural beauty was regarded as the result of humanization of na- ture. But in recent years, this proposition has been discarded with the rising of ecological aesthetics study. In my view, the appearance of ecological aesthetics means the end of humanization of the na- ture, but the destination of ecological aesthetics is identical with Karl Marx＇s Economic and Philo- sophical Manuscripts still. Just like what Marx said in Manuscripts, ecological aesthetics means ＂the true resurrection of nature, the realized naturalism of man and the realized humanism of nature＂, this is, ＂the perfect unity in essence of man with nature＂.
出处
《学术月刊》
CSSCI
北大核心
2009年第9期12-20,共9页
Academic Monthly
关键词
自然的人化
自然的景观化
景观美学
生态美学
humanization of the nature, landscaping of the nature, landscape aesthetics, ecological aesthetics
