摘要
花鼓灯舞蹈服饰是中原地区民俗歌舞服饰的典型,由于长期以来对于花鼓灯文化的研究过分集中在歌舞展演层面,致使其服饰文化受到忽视。本文试图通过对花鼓灯舞蹈服饰特征的梳理,通过以人地关系为主线的时间维度探究,和以地域性文化比较为基础的空间维度研究,揭示其多民族服饰文化融合、多元文化特征展现的综合性审美价值。并指出花鼓灯舞蹈服饰随时代发展而呈现核心清晰、边界模糊的形态格局,这也是这一民俗文化如今能保持旺盛生命力的根本原因。
Huagudeng clothing is one of the typical folk dance drum costumes in Central China.For a long time,the study of huagudeng culture excessively focused on singing and dancing performance level,resulting in the dress culture has been neglected.This paper,by combing drum dance costume features,exploring the time dimension through the study of the relationship between human and land and the spatial dimensions through the comparison of regional cultures,reveals comprehensive aesthetic value displayed by the multi-national dress culture and multicultural characteristics.And it points out that the dress pattern presents the characteristics of the clear core and fuzzy boundaries with the development of times,which is the fundamental reason for this folk culture today to maintain its vitality.
作者
孙强
Sun Qiang(Art and Design Department,Bengbu College,Bengbu 233000,China)
出处
《山西农业大学学报（社会科学版）》
2018年第8期71-76,共6页
Journal of Shanxi Agricultural University:Social Science Edition
基金
2017年安徽省社会科学普及规划项目(GH005)
2017年安徽省振兴计划蚌埠学院项目(2017JYXMW6)
关键词
花鼓灯
舞蹈
服饰
风格
Huagudeng
Dance
Costumes
Style
