摘要
罗兰·巴特(RolandBarthes)对于戏剧的思考,在20世纪50年代的文艺批评思想中占据突出分量,尤其以他作为核心编委编撰的以社会介入为理想的《大众戏剧》(1953-1964)杂志作为其剧论阵地,通过该杂志在法国首次介绍布莱希特并掀起“布莱希特旋风”。本文围绕巴特剧论思想中的关键理想,即关于大众戏剧理想的思考以及巴特对此产生的明显转变和抉择为切入点,通过三个方面展开分析:通过中西学界对罗兰·巴特戏剧研究概况、罗兰·巴特与《大众戏剧》的理念主张,聚焦罗兰·巴特从最初以让·维拉尔(Jean Vilar)为典范到以贝托尔特·布莱希特(Bertolt Brecht)为模范的抉择,力图补充学界关于罗兰·巴特戏剧思想研究的重要历史线索和戏剧思想演变历程。
Roland Barthes' drama criticism played an important role in literary criticism in the 1950s.In the Popular Theatre(1953-1964),this advocator of social intervention and one of the core editors,has introduced Bertolt Brecht into France,leading to an upsurge of interest.This article examines Roland Barthes' drama criticism,his idea of popular theatre and major transformation of h is theory.In the following three parts:a review of Chinese and Western study of Roland Barthes' drama theories,Roland Barthes' role in the Popular Theatre,and his interest shift from Jean Vilar to Bertolt Brecht,the author provides major historical details about Roland Barthes' drama criticism and demonstrates the process of transformation of his drama theory.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2023年第3期55-72,共18页
Drama:The Journal of the Central Academy of Drama
基金
国家社科基金艺术学重大项目“当代欧美戏剧研究”(项目编号:19ZD10)的阶段性成果
2022年度上海市艺术科学规划项目(项目编号:YB2022-A-022)的阶段性成果
2022年上海市“超级博士后”激励计划资助。
