摘要
欧阳予倩作为我国话剧艺术的先驱,在其20世纪上半期的戏剧生涯中,广泛吸收外国戏剧营养以丰富自己,其中又以法国戏剧为最。本文从其参加春柳社的早期演出、回国后开展的介绍与评论法国戏剧、创办民众戏剧社等一系列活动,论述了法国戏剧在欧阳予倩戏剧理论与实践中所占据的重要地位,重点剖析了罗曼·罗兰及其民众戏剧的显性影响和安托万自由剧团以及卜留的隐性影响。
In the first half of the 20 th century,Ouyang Yuqian,one of the pioneers of Chinese dramas,has been greatly inspired by foreign dramas,especially those in France.This paper discusses the important role played by the French dramas in Ouyang Yuqian’s theory and practice from his very beginning in Chunliu Company,his introduction and comments on French dramas after his return to China,and his founding of the popular drama society. It focuses on the dominant impact of Romain Rolland ’ s thétre du peuple theory and also the implicit influence of André Antoine’s Thétre libre and Eugène Brieu.
出处
《中国比较文学》
CSSCI
北大核心
2021年第1期135-143,共9页
Comparative Literature in China
基金
上海市地方高水平大学战略创新团队项目“现当代欧美戏剧史论研究”(编号:19ZLCX0180)
国家社科基金艺术学重大项目“当代欧美戏剧研究”(编号:19ZD10)的阶段性成果。
关键词
欧阳予倩
法国戏剧
罗曼·罗兰
民众戏剧
卜留
Ouyang Yuqian
French theatre
Romain Rolland
thétre du peuple
Eugène Brieu
