摘要
亚裔美国戏剧诞生于20世纪60年代兴起的亚裔美国运动,是这场运动在文化艺术领域的产物。在逾半个世纪的发展过程中,亚裔美国戏剧呈现出三大发展浪潮,参加者由早期的日裔和华裔剧作家逐渐扩展到后期的菲律宾裔、朝/韩裔和越南裔等其他亚裔剧作家。亚裔美国戏剧在发展的初期以再现历史、颠覆刻板印象、重建族裔身份为主题,后逐渐转向对文化冲突、代际冲突和离散经历的关注。国内外学术界对亚裔美国戏剧的研究侧重点略有不同,国外学者的研究包括文本的历史背景解读、剧场研究和舞台呈现等方面,国内学者倾向于将这一领域细化为华裔美国戏剧和日裔美国戏剧进行研究,多注重文本分析,并辅以后殖民、解构等文学理论。
Asian American drama emerged during the Asian American Movement in 1960s.As the cultural and artistic product of this movement,Asian American drama has experienced three waves of development in over half a century.The early playwrights are mainly Chinese,Japanese and Filipino immigrants and their descendants.They are later joined by Korean American,Vietnamese American and other Asian American playwrights.The early plays are mainly concerned with representations of history,deconstruction of the stereotypes and reconstruction of identity.The subjects later shift to cultural conflicts,generation conflicts and diasporal experiences.Scholars of home and abroad have slightly different focuses in their research.Foreign scholars tend to explore the historic contexts of plays,history of theatre companies and presentations on the stage,whereas Chinese scholars tend to subdivide this research area into Chinese American drama and Japanese American drama with focus on interpretations of the texts guided by postcolonial or deconstruction theories.
出处
《天津外国语大学学报》
2020年第4期74-83,160,共11页
Journal of Tianjin Foreign Studies University
基金
中美富布莱特学者项目
国家留学基金资助项目“亚裔美国戏剧研究”([2016]7699)。
