摘要
孔子晚年喜《易》、好《易》,并不代表他早期没有深入研修过《易经》。孔子早期学《易》,以"象数"视之,注重的是卦象的流动和转化所开启的"艺"境。正因为此,孔子晚年虽然抛弃了卜筮之用,却没有抛弃卜筮本身,特别强调卦象、卦变与卦爻辞意义之间彼此共生、相互建构的关系。这种致思取向为孔子晚期发挥阐释《易经》提供了重要的方法论支撑,使得象数之《易》与演德之《易》的结合成为可能。《易传》沿着孔子开辟的道路前进,在天地相参、天人合一的理论构建中对世间的德性进行观照,对后世儒学的发展产生了深远的影响。
The fact that Confucius（551-479BCE）was fond of the Changes in his later years does not represent that he did not devote himself into the study of the Yi jingfrom his early years.When he was young,he viewed the Changes from image-numerological perspectives and what he paid attention to was the realm of＂art＂initiated by the flowing and transformations of the images of the trigrams and hexagrams.It was on account of this that in his later years although Confucius abandoned the application of divination,he did not deny divination itself and particularly stressed the symbiosis and reciprocity between hexagram images,hexagram changes,and hexagram and line statements.This kind of orientation of thinking provided him with important methodological support for his elaboration on the Yi jingin his later years and led to the possibility to unite image-numerology with discourse on virtues.The Yi zhuan（Commentary on the Changes）followed and advanced along the path opened by Confucius and shed light on worldly virtues in the theoretical structure of the trinity of Heaven,Earth,and Man,which exerted far-reaching influence on later generation Confucianism.
出处
《周易研究》
CSSCI
2015年第6期19-26,共8页
Studies of Zhouyi
关键词
《易经》
卜筮
象数
艺境
演德
《易传》
Yi jing
divination
image-numerology
realm of art
expansion of virtues
Yi zhuan
