摘要
如果以西苏《美杜莎的笑声》所论述的妇女写作为切入点,分析狄金森诗歌中蜜蜂形象三个层次,可见妇女写作对于传统写作和权威历史的反叛——妇女写作从传统写作历史中获得解放,自发性走向自觉性,写作代表自身所在群体发声和促进相互理解。
This paper uses women writing expounded in the laughter of medusa Hélène Cixous as a starting point,through the three level of analysis of Emily Dickinson＇s poetry about bee image to discuss the women writing as a rebel of traditional writing and authority of the history,and how it progresses from spontaneity in traditional writing to consciousness of women writing.The important significance of thought liberation and women＇s liberation clarify the writing value itself as a representative in the crowd and class voice in mutual understanding.
出处
《湖北师范学院学报（哲学社会科学版）》
2012年第3期18-21,43,共5页
Journal of Hubei Normal University（Philosophy and Social Science）
关键词
狄金森
自然诗
蜜蜂形象
妇女写作
传统写作
Dickinson
natural poem
image of bee
women writing
traditional writing
