摘要
女书的写作抛开了传统中国以男性为中心的价值标准,她充满悲喜之情,聚散之迹,单刀直入的是生殖以及生离死别的主题,超出了以男权为中心的传统女性写作狭小的个人情感圈子,她们不写“闺怨”、“思妇”,不写女子不得金榜题名。她们走出男权文化的视野。大声疾呼的是“已是朝廷制错礼,世煞不由跟礼当”,这使得女书写作有了一个崭新的视角,她的批判现实的意义和境界,大大超出了同时代主流社会中妇女写作。
In writing fembooks, people cast aside the value standard that traditional China regards man as the centre. Fembooks are full of feelings of grief and joy, and marks of gathering and scattering, whose themes of reproduction and forever separation come straight to the point. They have gone beyond the tradition, which takes man right as the centre and women's personal emotion circle with narrow and small writing. They didn’t write about “young women’s sorrows and grievances” or “young women who have thoughts of love”, nor about the unfairness that women are not allowed to take part in and succeed in the government’s examination. They go out of the vision of man right culture. What they raise as a cry of warning is that the imperial court has mistaken the etiquettes, and the common people have to follow them. These make fembooks have a brand-new visual angle to write. Fembooks’ realistic meanings of criticism and realm have greatly gone beyond the woman writing in the contemporary mainstream society.
出处
《湖南科技学院学报》
2005年第1期40-41,共2页
Journal of Hunan University of Science and Engineering
