摘要
新世纪中国电影能否写史?如何写?国内目前的理论思考与写作实践仍不多。以“电影工业美学”作为原则与方法,能为新世纪中国电影史写作提供一种可能性,如整体性思维与工业/美学视角。《新世纪中国电影史(2000—2022)》便是这一方法的有效实践。新世纪中国电影史写作面临“如何划分”“何种方法”“何种理论”等难题。作为新世纪中国电影史写作的方法,“电影工业美学”对影史写作有如下“原则”:“整体观”思维或视野;以工业/美学的张力为书写的脉络或标准;以“大众性”与“常人”观为基准及案例选择标准。正是遵循上述原则与方法,《新世纪中国电影史(2000—2022)》以“工业美学”为线索,系统梳理新世纪20多年来中国电影产业变革、美学变迁、观众流变、文化表达与工业制作升级的脉络,进而在“整体上”把握新世纪中国电影史。
Theoretical thinking and writing practices on the history of Chinese cinema in the new century are still limited domestically.Employing"aesthetic of film industry"as both principle and method offers a possibility for writing the history of Chinese cinema in the new century,such as holistic thinking and industrial aesthetics perspective.“The History of Chinese Cinema in the New Century(2000-2022)”serves as an effective implementation of this approach.Challenges faced in writing the history of Chinese cinema in the new century include issues of categorization,methodology and theoretical frameworks.As a method for writing the history of Chinese cinema in the new century,“aesthetic of film industry”presents the following principles:holistic view or perspective;using the tension between industry and aesthetics as the framework or standard for writing;and selecting cases based on their relevance to mass appeal and common viewer perspectives.Adhering to these principles or methods,“The History of Chinese Cinema in the New Century(2000-2022)”systematically examines the transformation of the Chinese film industry,aesthetic evolution,changes in audience preferences,cultural expressions,and industrial advancements over the past two decades,thereby comprehensively grasping the history of Chinese cinema in the new century.
作者
陈旭光
张明浩
Chen Xuguang;Zhang Minghao
出处
《江西社会科学》
CSSCI
北大核心
2024年第4期168-178,208,共12页
Jiangxi Social Sciences
基金
国家社会科学基金艺术学重大项目“新时代中国电影工业体系发展研究”(20ZD19)。
