摘要
最近几年,电影研究领域热度最高的议题,非"中国电影学派"莫属。这是新文科与国家哲社领域中国学科体系、学术体系、话语体系三大体系建设战略的先声。有学者甚至认为,建构"中国电影学派"是一种国家战略、国家品牌、国家理论。然而,实现这一顶层设计的宏大愿景,需要直面新媒介、后电影的技术变革下后现代、后理论的学理困境,尚有诸多亟待突破的理论瓶颈。相较于当下热度不减的"电影工业美学""电影伦理学"等鲍德维尔意义上的"中层理论"而言,面向未来的科幻电影研究,更有可能成为一个新的学术生长点,从而为中国电影学派的建构另辟蹊径。
In recent years,the hottest topic in the field of film studies is the"Chinese film school".This is the forerunner of the construction strategy of the three major systems of Chinese discipline system,academic system and discourse system in the field of new liberal arts and national philosophy and social sciences.Some scholars even believe that the construction of"Chinese film school"is a kind of national strategy,national brand and national theory.However,to realize this grand vision of top-level design,we need to face the theoretical dilemma of post-modernism in a post-theoretical era with the technological change of new media and post-film,and there are still many theoretical bottlenecks to be broken through.Compared with the current popular"film industry aesthetics","film ethics"and other"middle-level theory"issues proposed by Bordwell,future-oriented science fiction film research is more likely to become a new academic growth point,so as to construct a new aspect and find a new way for the Chinese film school.
作者
朱晓军
黄寒冰
ZHU Xiaojun;HUANG Hanbing
出处
《未来传播》
CSSCI
2021年第5期106-112,130,共8页
Future Communication
基金
浙江文化艺术发展基金资助项目“网络影视的崛起、传播和发展路径研究”
