摘要
电影工业美学理论是在新时代中国电影的现实背景下,对"电影是什么"这一问题的重新思考,也是对新时代中国电影发展所提出的一种兼具观念革新意义、现实发展需求和理论建构方法论意义的"顶层设计"。在立足当下电影现实的基础上,电影工业美学试图在理论层面上建构一个互补辩证、兼容综合且务实有效的理论体系,在强调工业意识觉醒的同时,更呼唤着美学品格的坚守和艺术质量的提升。通过梳理"电影工业美学"的提出背景、内核和外延,与其他相关理论的关系及历史脉络,可深入探究其理论依据、美学原理和文化背景。
Film industry aesthetics is not only a rethinking of “what is a film”in the new era,but also“a top-level design” of Chinese films,which integrates conceptual innovation,realistic demands and ontological significance in theoretical construction.Based on the current cinematic reality,film industry aesthetics aims at constructing a complementary,dialectical,integrated and comprehensive theoretical system with practical effect,attaching importance not only to industrial awareness,but more importantly,to aesthetic integrity and artistic quality.“Film industry aesthetics” is examined in terms of backgrounds,kernel and extended ideas,relations with other relevant theories and historical development,so as to further reveal its theoretical support,aesthetic principles and cultural backgrounds.
作者
陈旭光
CHEN Xu-guang(School of Arts,Peking University,Beijing 100875,China)
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2019年第1期32-43,共12页
Journal of Shanghai University(Social Sciences Edition)
基金
国家社会科学基金重大课题资助项目(18ZD13)
关键词
电影美学
电影工业
电影工业美学
film aesthetics
film industry
film industry aesthetics
