摘要
文章以二十世纪波兰、日本的戏剧海报以及中国清代的戏剧海报为例,对其形式的无定义性进行分析与阐释,从而阐述了维特根斯坦艺术无定义性的本质;同时结合海报设计多元化趋势与当代戏剧的创新性转变,探讨了戏剧海报设计边界的拓展,旨在为戏剧海报的解读与创作提供新的思维模式。
The article expounds the undefinable essence of Wittgenstein art.Taking the drama posters of Poland and Japan in the 20 th century and the drama posters of the Qing Dynasty in China as examples,the article analyzes and interprets the indefiniteness of its form,and combines the diversity of poster design together with the innovative transformation of contemporary drama to explore the expansion of drama poster design.This provides a new mode of thinking for the interpretation and creation of drama posters.
出处
《包装与设计》
2021年第5期98-99,共2页
Package & Design
