摘要
西兰卡普发端于商周时期,其纹样由传统几何纹逐渐发展到与装饰画结合的再生纹样,其题材内容也经历了从抽象到具象的创新性转变,结构上从对称式、重复性转为均衡式、独立性的纹样组织。为更好地对西兰卡普进行传承与发扬,研究其纹样内容与组织结构是很有必要的,能更好地认识传统文化,以发展的眼光去看待传统纹样的变迁。
Xilan Kapu originated in the Shang and Zhou dynasties, and its pattern gradually developed from the traditional geometric pattern to the regenerative pattern combined with decorative painting. Its pattern content experienced the innovation of subject content, from abstract to concrete. From symmetry and repetition to balance and independence in structure. In order to better inherit and carry forward Xilan Kapu, it is necessary to study its pattern content and organizational structure, in order to better understand the traditional culture, to look at the changes of traditional patterns from the perspective of development.
作者
周颜蓉
Zhou Yanrong(Wuhan University of Technology,Wuhan 430070,China)
关键词
西兰卡普
传统纹样
再生纹样
纹样内容
组织结构
Xilan Kapu
traditional pattern
regenerated pattern
pattern content
organizational structure
