摘要
所谓"牧影",指的是在中国特定的历史文化语境中由流动电影放映相关的制度、人、技术等构成的媒介实践之阐释意义。这是基于长期田野研究所得到的一个分析概念。本文首先对"牧"字进行了词源学的考证,在此基础上,结合"代理"、"具身"等相关理论资源进一步充实了"牧影"概念的理论意涵,以期对中国流动电影放映相关现象做出再度阐释。
The term Duojie Lo:nian is an analytical concept derived from prolonged field researches and is intended to interpret the media practices which encompass the institutions,personnel and technologies concerning mobile film screening in China’s specific historical and culturalcontexts.The paper firstly examines the word"Mu"from the perspective of etymology and then,by drawing upon relevant theories of"agency"and"embodiment",it enriches the theoretical implications of Duojie Lo:nian.Hence the paper completes the re-interpretation of China’s mobile film screening.
作者
郭建斌
王丽娜
GUO Jianbin;WANG Lina(the School of Ethnology and Sociology,Yunnan University of China;the School of Journalism,Yunnan University;the School of Literature and Law, Southwest Forestry University of China)
出处
《国际新闻界》
CSSCI
北大核心
2020年第6期76-97,共22页
Chinese Journal of Journalism & Communication
基金
云南大学一流学科建设“民族传播研究与媒体人类学”创新团队阶段性成果(项目号:C1762402002)。
关键词
“牧影”
流动电影放映
阐释
田野研究
Duojie Lo:nian
Mobile film screening
Interpretation
Field research
