摘要
概念与其展现方式之间的关系是黑格尔哲学体系叙述的内在理路,它规定了在黑格尔艺术哲学中成为核心概念的Ideal及其与一般理念的区别。从这个内在理路和Ideal出发,我们不仅可以回应20世纪30年代以来德国学界基于新文本而对刊印本的忠实可靠性提出的质疑,也得以在比较新、旧文本的基础上,对过去我们在黑格尔艺术哲学中理解不到位的、发生误解的,乃至根本没有讨论过的问题尽可能作出更客观的表述。
The relationship between the concept and its presentation is the internal rationale of Hegel's philosophical system,which defines the Ideal as the core concept in Hegel's philosophy of art and differentiates it from the general idea.Proceeding from this internal rationale and Ideal,a response can be attempted to the doubts raised by the German academic circles concerning the authenticity and reliability of the printed editions based on new texts that have appeared since the 1930s.Further,by comparing the new and old texts,an objective clarification of the vague,undiscussed,and misunderstood problems in Hegel's philosophy of art can be formulated out of the concept of the Ideal.
出处
《哲学研究》
CSSCI
北大核心
2020年第2期104-115,128,共13页
Philosophical Research
