摘要
进入新世纪,如何理解"中国",叙述"中国",在图像传媒中呈现"中国",在艺术形象中塑造"中国",成为一个日益被学术界、艺术界甚至普通大众关注的议题。中国少数民族文化艺术是中华民族的精神财富,是人类文明的重要成果。少数民族题材绘画是中国社会政治生态、民族审美趣味和画家自觉艺术表达结合的必然产物。少数民族艺术创作对国家形象的塑造具有深远的潜移默化的作用。由于艺术作品本身具有的传媒特性,全球化背景下的"民族中国"艺术作品借物言志体现国家意识,彰显民族文化的蓬勃生命力,不仅补充主流文化,对维护国家文化安全也具有重要意义。本文以1949年新中国建立以来少数民族艺术作品中的民族形象分析为例,突破传统的民族美学研究,以"民族中国"为核心价值,探索少数民族创作参与塑造具有中国民族特色的国家形象的具体途径,旨在促进少数民族创作,树立与时俱进的发展主题,营造现代中国的审美品格以及对"大文化观"的审美追求,实现民族认同与国家认同的艺术对接。
In the new century,how to understand "China",narrate "China",present "China" in the image media and shape "China" in the artistic image has become anincreasingly concerned topic among academia,art circles and even the general public.Chinese minority culture and art is the spiritual wealth of the Chinese nation and an important achievement of human civilization.Minority theme painting is the inevitable outcome of the combination of Chinese social and political ecology,national aesthetic interest and artists’ conscious artistic expression.The artistic creation of ethnic minorities has a far-reaching and subtle influence on the shaping of the national image.Because of the media characteristics of art works themselves,the "national China" art works in the context of globalization embody national consciousness and show the vigorous vitality of national culture,not only supplement the mainstream culture,but also have great significance for safeguarding national cultural security.
出处
《广西民族研究》
CSSCI
北大核心
2019年第4期116-123,共8页
GUANGXI ETHNIC STUDIES
关键词
中国当代油画
少数民族题材
国家形象
建构
Chinese contemporary oil painting
minority theme
national image
construct
