摘要
《欲望号街车》巧妙地运用舞台空间,建构了一幅幅生动、别致、蕴意深刻的景观,将贫民窟、同性恋与外来移民等边缘群体的生活状态呈现给观众,并以音乐作为媒介,营造了一组诗意化的景观,让人物的内心世界外化,从而引发人们对城市发展与边缘群体生存、本土人与外来族、南方与北方等多重社会问题的思考。
Taking full advantage of the theatrical space, A Streetcar Named Desire skillfully constructs pieces of vivid, unique and profound landscapes, presenting to the audience slums, and the living conditions of homosexuals, immigrants and other marginalized groups. Using background music as a medium, the playwright creates a set of poetic landscapes, externalizing the inner world of characters, which makes spectators think about many social problems, like the relationship between urban development and the care of the marginalized groups, conflicts between local people and immigrants, and the struggle between the North and the South.
出处
《南京师大学报（社会科学版）》
CSSCI
北大核心
2018年第4期128-134,共7页
Journal of Nanjing Normal University(Social Science Edition)
基金
国家社科基金项目"20世纪美国都市戏剧与都市精神研究"(17BWW091)阶段性成果
关键词
《欲望号街车》
景观
空间批评
A Streetcar Named Desire
landscape
spatial criticism
