摘要
传统的翻译理论认为译者处于边缘地位,是原文和原作者的"仆人",而"叛逆"又成了翻译不可避免的本质特征之一。译介学"创造性叛逆"概念的提出确立了译者在翻译中的主体地位,恰如其分地描述了译者在翻译中的作用。文章以葛浩文翻译"狼图腾"为例,从篇章结构、语言和文化这三方面探讨了"创造性叛逆"在翻译活动中的实践。
From the perspective of traditional translation theories, the translator, ＂servant＂ of the original author and text, is put in the peripheral position. whereas, ＂treason＂ has become an eseential feature of translation. The concept of ＂creative treason＂ not only helps establish the subjective status of a translator in the translation process, but also properly describes the role that a translator plays in the translation practice. Taking Howard Goldblatt translation ＂Wolf totem＂ as an example, this paper explores the practice of ＂creative treason＂ in translation activities from the aspect of textual structure, language and culture.
出处
《红河学院学报》
2016年第2期108-110,共3页
Journal of Honghe University
关键词
创造性叛逆
翻译
主体地位
Creative treason
Translation
Subjective status
