摘要
在贝克特的小说《莫洛伊》中,由于父亲的缺场或无能,莫洛伊在寻母旅程中一路玩弄恋母游戏,表现出许多跟母亲有关的恋物癖症状;但鉴于母亲的堕落和乱伦的危害,他又借污秽学对母亲大肆谩骂,表现出典型的厌女症状和对父亲法则的最终服从。在笔者看来,莫洛伊是一个从"象征界"向"想象界"退化的"问题主体",其叙事中的种种谜团和杂耍似的游戏都是其恋母困境外化而成的"梦意象",和作者"身处子宫的记忆"密切相关。
In S. Beckett＇s novel Molloy, due to the father＇s absence or impotence, Molloy plays Oedipal games all the way back to the mother, thus revealing his mother-oriented fetishism. Meanwhile, due to the mother＇s decadence and the danger of incest, he draws upon motheroriented scatology in his narrative, thus disclosing his misogyny and final surrender to the father＇s law. Molloy is a ＂problem subject＂ regressing from the Symbolic Order to the Imaginary Order, and the various enigmas and games described in his narrative are in essence dream-images of his Oedipal dilemma or, rather, of Beckett＇s ＂memories of being in the womb.＂
出处
《外国文学研究》
CSSCI
北大核心
2014年第3期84-93,共10页
Foreign Literature Studies
基金
国家社科基金后期资助项目"贝克特‘失败’小说研究"【项目批号:12FWW012】的阶段性成果
