摘要
在贝克特的小说《莫洛伊》中,莫兰先是具有鲜明的"象征界"特征,接到寻找莫洛伊的命令后就开始像耶稣一样遭受殉难;在寻觅的旅途中,他的自我逐步退化成莫洛伊的模样。通过与路人A和C的相遇,隔离在两部分叙事中的莫兰和莫洛伊也构成了令人沮丧的镜像关系。笔者认为,该小说展现的是由"家庭三角"定义的"婴儿主体"的身份在昏暗的镜面中的复杂反射。
In S. Beckett＇ s novel Molloy, Moran is initially a figure of the Symbolic Order; getting the order to look for Mol- loy, he begins to be crucified like Jesus. On the journey, his self gradually regresses to that of Molloy. Via their encounters with A and C, Moran and Molloy, though from separate narratives, form an upsetting mirror relation. In the author＇ s view, what Beckett＇ s novel shows is the complex reflections, in vague or dark mirrors, of the infantile subject＇ s identity defined by the family triangle.
出处
《外语教学》
CSSCI
北大核心
2014年第1期73-76,共4页
Foreign Language Education
基金
国家社科基金后期资助项目“贝克特‘失败’小说研究”(项目编号:12FWW012)的部分研究成果
关键词
《莫洛伊》
莫兰
殉难
镜像
Molloy
Moran
crucifixion
mirror image
