摘要
本文试图借用拉康"镜像阶段"理论的阐述来尝试分析媚俗艺术中的自媚现象。自己被自己媚俗的行为感动是自媚的重要特质,其形成原因在于,主体始终处于一个"被看"的状态中,不断认同他者目光对自我的异化,始终在追求自己想象中的能够在他者观看下完美呈现的自我,并陶醉于自己的行为和结果。拉康的"镜像阶段"理论对自我的虚无性的判断,强烈地揭示出了"我"所感动的自我本身的虚假。
To be touched by one’s own behavior of kitsch is an essential trait of self-kitsch which comes into being because the subject, always kept in a state of being watched, carries out a continual recognition of self-alienation caused by others’ views and a unceasing pursuit of an imaginable perfect ego in others’ eyes intoxicated with his or her own behavior and the outcomes following. Lacan’s judgment of self nihility by his mirror phase theory solidly discloses falsehood of th ego by which“I”am touched.
出处
《滁州职业技术学院学报》
2014年第1期45-47,共3页
Journal of Chuzhou Polytechnic
