摘要
迪斯尼动画片《木兰》在再现“他者”的过程中对本土文化进行了东方化和美国化。原作《木兰辞》所蕴涵的中国传统文化受到美国主流文化的置换。在这一过程中,第三世界的文化受到文化霸权强有力的渗入和强权干预,导致自己的民族文化遭受边缘化。面对这种后殖民文化霸权,第三世界文化应积极寻求走向世界的新的可能性。
In representing the other, Disney＇ s animated film Mulan replaces the traditional Chinese Culture embodied in the original Chinese ballad Ode of Mulan by means of orientalization and Americanization. In this course ,the 3rd world culture is so seriously infiltered and intervened that has been marginalized by Western Cultural Hegemony. The 3rd world culture should actively seek for the posibility of sending on the stage of the world culture.
出处
《黄河科技大学学报》
2007年第4期53-56,共4页
Journal of Huanghe S&T University
关键词
木兰
后殖民话语
文化霸权
Mulan
post-coloial discourse
cultural hegemony
