摘要
人类生存发展中所面对、所要解决的核心问题是主体与客体的关系问题。作为“人学”的文学也一直以艺术的方式探索和解答着这一问题,文学中人物形象的塑造鲜明而集中地体现了这一点。文学中人物形象的发展大致经历了三个阶段:神魔化阶段—常人化阶段—扭曲化阶段。这一发展轨迹反映了人类主客体关系的状况:主客体之间的混沌统一及人类主体性迷茫和幻想提升—主客体之间的现实统一及人类主体性确立和发展—主客体之间的统一被破坏及人类主体性由扩张导致失落,形成新的迷茫。
The core problem that the human beings have to confront and settle is the relationship between subject and object. As one of the major branch of anthropology, literature contributes a lot to the exploration and explanation of this problem with artistic means, which is embodies distinctively by the shaping of figures in literature. However, only a few papers targets on this in literature field before. Based on this perspective, this paper proposed a theory that the development of figures in literature can be roughly divided into three stages: deified figure stage, ordinary figure stage, and deformed figure stage. This track of development reflects the relationship between human subject and human object: the obscure integrity of subject and object with the perplex of human being and promotion of human imagination as subject; the practical integrity of subject and object with the establishment and development of human being as subject; the collapse of the integrity between object and subject with the transformation from expansion to shrink, which forms the new perplex in development.
出处
《南开学报（哲学社会科学版）》
CSSCI
北大核心
2005年第2期59-63,共5页
Nankai Journal:Philosophy,Literature and Social Science Edition
关键词
人物形象
主客体关系
神魔化
常人化
扭曲化
Shaping of Figures
Relationship Between Subject and Object
Deified
Ordinary
Deformed
