摘要
当代西方艺术家虽然实现了叙述题材的日常化,并且希望通过日常化策略使艺术在更大程度上走向大众,实现艺术的大众性和通俗化,从而祛所谓高雅艺术之魅,但是,实际上,当代西方艺术日常化的历程,在相当大程度上变成了一种艺术赋魅(返魅)的历程。当代艺术向大众的敞开性,变成了一种空想。
Although Western art has routinized the narrative theme in the hope of enabling art to move to a greater degree towards the masses by employing routinization tactics so as to bring about publicness and popularization of art in order to remove the charm of the so-called noble and graceful art, yet in fact the course of routinization of contemporary Western art turns out to be, to a considerable extent, that of art en-charm(restoration to charm). The openness to the public of contemporary art becomes an idle dream.
出处
《江汉大学学报（人文科学版）》
2005年第1期52-55,共4页
Journal of Wuhan Institute of Education
关键词
艺术
当代西方艺术
日常化
art
contemporary Western art
routinize
