摘要
玄学艳情诗是文艺复兴时期玄学派诗歌的重要组成部分,如何为其恰当地定位,一直没有定论。本文秉承后现代的怀疑精神,尝试从玄学艳情诗是否称得上诗歌艺术、能否奉为经典以及其后现代价值何在这三个研究视角来探讨这一充满张力的文学现象。
Love poems constitute the main part of the metaphysical poetry in the English Renaissance. The criteria of criticism for love poems of metaphysical poetry are not fixed. Following the postmodern doubting spirit, this paper explores this literary phenomenon from three perspectives in order to reveal its disputative reputation.
出处
《南京理工大学学报（社会科学版）》
2008年第3期61-64,共4页
Journal of Nanjing University of Science and Technology：Social Sciences
关键词
玄学艳情诗
艺术
后现代
love poems of metaphysical poetry
art
postmodernism
