摘要
文学虚构理论真正成熟的阶段是在现代主义时期。在这一时期,众多的文论家和美学家开始更多地从作品的层面去思考文学虚构问题。他们把虚构视为作品获得文学性的根据,虚构也因此具有了本体论意义。而到了后现代主义时期,在那种消解一切,包括文学与非文学、虚构与现实的状况下,现代主义时期的文学虚构理论的存在依据也就从根本上被否定了,文学虚构一词开始失去了它独立的内涵,变得无法进行界定了,文学虚构自身因此被消解了。
The true mature stage of the theory of literary fiction is in the modernism period. In this period, the multitudinous literary theorists and aesthetic theorists began to study the issue of literary fiction in terms of the level of literary works. Fiction was deemed as a necessary component for the works to possess the characteristic of literature and accordingly, fiction possessed the essence of ontology. In the period of postmodernism when everything was dispelled, including literature and non- literature, fiction and non-fiction, the same was true with the ontological quality of fiction, The term- literary fiction began to lose its own connotation and hard to define.
出处
《温州大学学报（社会科学版）》
2007年第6期56-61,共6页
Journal of Wenzhou University：Social Science Edition
