摘要
意象理论奠定了中国传统舞蹈中的尽意特征,同时为当代舞剧的创作提供了明确的方法论。它强调基于主体在情景交融中产生的象征生命意味的情感体验,以"象"的提取和塑造为方法,最终达到"意"的传达,相比西方戏剧式的编舞思维更适合中国舞蹈的表达,具有一种诗性的美感。但因"象"有日用而不自知的特点,舞界编导虽常使用但却未能对意象创构与表意形成理论上的自觉。如能对意象理论进行梳理,总结出适合中国舞剧"立象以尽意"的编创方法,形成具有中国艺术品格的表意方式,不仅会对中国舞剧的创作思路带来启发,更能让舞剧创作找到指向中国传统艺术的回家之路,推动舞剧编创由"西化"回到"中国化"。
The imagery theory illustrates the fully expressed characteristics of traditional Chinese dance,and meanwhile provides a clear methodology for the choreography of contemporary dance dramas.It emphasizes the emotional experience based on the symbolic meaning of life generated by the subject in the blending of feelings and scenes.With the extraction and shaping of the“imagery”as the method,it ultimately achieves to the expression of“meanning”.Compared with western theatrical choreography thinking,it is more suitable for the expression of Chinese dance,with an attribute of poetic beauty.However,“images”has the characteristics of daily use without self-knowledge.Although choreographers frequently use them,they fail to form the theoretical consciousness in the imagery creation and ideographical expression.If we can sort out the imagery theory,summarize a choreographical method suitable for the Chinese dance drama’s idea of“imagery creation for full expression”,and form a manner of ideographic expression with Chinese artistic style,it will not only shed light on the choreography of Chinese dance dramas,but also find the way home for traditional Chinese art,and provide theoretical thinking for promoting the choreography of dance dramas from“westernization”to“sinicization”.
作者
高雅
GAO Ya(School of Dance,Shanghai Theatre Academy,Shanghai 200040,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第1期117-121,共5页
Journal of Beijing Dance Academy
关键词
舞剧
意象
表意
dance drama
imagery
ideographical expression
