摘要
20世纪20年代,奥斯卡·施莱默(Oskar Schlemmer)加入包豪斯并担任其剧场的形式大师,"包豪斯之舞"逐渐步入了人们的视野。身为画家、雕塑家的他,以其独特的视角和对空间、形式、艺术形象以及"人"的理解,开启了舞蹈创作的新思路。《三元芭蕾》是包豪斯舞蹈最著名的作品之一,也是施莱默探索以"人"为主体,复兴剧场艺术较早的实践。文章从施莱默的创作理念和《三元芭蕾》的解读与归纳入手,分析他的新思路在包豪斯舞蹈创作上所聚焦的要素,为未来舞蹈创作方向提供思考。
In the 1920s,Oskar Schlemmer joined the Bauhaus and worked as the theater’s style master,and“Bauhaus dance”gradually came into view.As a painter and sculptor,he opened up new ideas for dance creation with his unique perspective and understanding of space,form,artistic image and“human”.Das Triadische Ballett is one of the most famous works of Bauhaus dance,and it is also the early practice of Schlemmer’s exploration of“human”as the main body and revival of theater art.Based on Schlemmer’s creation idea and the interpretation of Das Triadische Ballett,this paper analyzes the key elements that Schlemmer focuses on in Bauhaus dance creation,and sheds some lights on the future dance creation.
作者
龙一馨
何人可
LONG Yi-xin;HE Ren-ke(Hunan University,Changsha 410082,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第1期103-106,共4页
Journal of Beijing Dance Academy
关键词
奥斯卡·施莱默
三元芭蕾
人
艺术形象
空间
形式
Oskar Schlemmer
Das Triadische Ballett
human
artistic image
space
form
