摘要
现代社会的公民都生活在民族国家中,获得法律上平等的国民身份和地位,并由此形成对民族国家的认同。但在实践中,女性的民族国家身份认同困境始终存在,表现为民族国家认同构建中的的身份缺失或地位失衡,尤其是一些发展中国家的女性尚未在民族国家中求得真正被认可的公民身份。借助华语电影《金陵十三钗》,试图梳理电影对女性身份叙事的偏差,揭示特殊时期和现今男性精英主导视角下女性身份的困境,思考我国在民族国家构建中如何更好地建构和重塑女性的国民身份认同问题。
The citizens of modern society all live within nation-states,obtaining legally equal national identities and statuses,thus forming an identification with the nation-state.However,in practice,there remains a persistent dilemma in the identification of national identity for women,manifested as identity deficits or imbalances in the construction of nation-al identity,especially in some developing countries,women have not yet obtained real recognized citizenship in the nation-state.With the help of the Chinese-language film The Flowers of War,this paper attempts to sort out the film's deviation from the narrative of female identity,reveal the dilemma of female identity under the dominant perspective of male elites in the special period and nowadays,and reflect on the issue of how to better construct and reshape women’s identity in the construction of nation-state in China.
作者
李宜真
LI Yizhen(International Studies School of Sichuan University,Chengdu Sichuan 610065,China)
出处
《四川文理学院学报》
2024年第4期153-160,共8页
Sichuan University of Arts and Science Journal
基金
国家社会科学基金重大项目“统筹西部边疆地区发展和安全的理论与实践研究”(22ZDA118)。
