摘要
江南运河孕育了众多的江南名城,这些城市中的许多建筑遗存至今保留了众多彰显地域特色的隐喻性民居建筑装饰符号,这些符号可以表征不同地区的经济文化、社会阶层结构、民间习俗的发展。尤其是明清时期,民居建筑装饰符号受到政治制度、商品经济和儒、释、道文化的影响,秩序性有所规范,多样性有所增加,语义性有所丰富,图像的教化功能比较典型,各阶层民居装饰的时尚流行广泛。本文通过实地调研苏州和常州两地现存的近现代民居建筑遗存,比较研究其建筑装饰纹样背后的深层符号学意义,剖析其精神层面的传承利弊,为当代理性地理解优秀传统文化和工匠精神提供参考。
The Grand Canal gave birth to many famous cities to the south of the Yangtze River.Preserved in the architectural remains in these cities are many metaphorical decorative signs of residential buildings that highlight regional characteristics.These signs can represent the development of economic culture,social structure,and folk customs in different regions.Especially during the Ming and Qing dynasties,the decorative symbols of residential buildings were influenced by the political system,commodity economy,and culture of Confucianism,Buddhism,and Taoism,which standardised their order,increased their diversity,and enriched their semantic meaning.Images typically had an educational function and the fashion of residential decoration was widely popular among all social strata.Based on a field survey of the remains of modern residential buildings in Suzhou and Changzhou,this paper conducts a comparative study of the deep semiotic meaning behind their architectural decorative patterns and analyses the advantages and disadvantages of their spiritual inheritance,providing a reference for the contemporary rational understanding of excellent traditional culture and the spirit of craftsmanship.
作者
薛娟
曹雅萍
Xue Juan;Cao Yaping(Suzhou University of Science and Technology)
出处
《符号与传媒》
2024年第1期163-178,共16页
Signs & Media
基金
教育部人文社会科学研究项目“江南地区运河沿岸的传统民居建筑装饰图案及其谱系研究”(22YJA760091)中期成果。
关键词
大运河
传统民居
装饰符号
苏州
常州
Grand Canal
traditional dwellings
decorative signs
Suzhou
Changzhou
