摘要
杨治宜教授《“自然”之辩:苏轼的有限与不朽》一书揭示了苏轼自然美学的双重内涵,在此基础上探讨了苏轼文艺创作中对天然自成的追求和“艺术即修身”的自然美学理念,以及苏轼文艺作品中名花怪石呈现的自然美学内涵、和陶诗和丹学中对自然美学的人生终极之表达,最后理解其“寄寓天地,性命自得”的自然美学的宏大境界。苏轼在艺术创作和生命经历中都不遗余力地向“绝对自然”迈进,正是这种对不可及的完美趋近,使他获得了暂时的、有条件的“逍遥自然”,从而得以不朽。
Professor Yang Zhiyi's Dialectics of Spontaneity:The Aesthetics and Ethics of Su Shi in Poetry reveals the dual connotations of Su Shi's natural aesthetics.Based on this,it discusses Su Shi's pursuit of natural self-creation in his literary and artistic creation and his natural aesthetic concept of"art is self-cultivation",as well as the natural aesthetic connotations presented by famous flowers and strange stones in his literary and artistic works,and the ultimate expression of natural aesthetics in Tao poetry and Dan studies,and finally understands his grand realm of its natural aesthetics of"living in the world,enjoying one's own life".In his artistic creation and life experience,Su Shi spared no effort to move towards"absolute nature".It is this approach to unattainable perfection that enables him to obtain temporary and conditional"free nature",thus achieving immortality.
作者
张浩浩
ZHANG Hao-hao(Yunnan Minzu University,Kunming 650504 China)
出处
《新余学院学报》
2024年第1期59-65,共7页
Journal of Xinyu University
关键词
苏轼
杨治宜
自然美学
“绝对自然”
文艺创作
Su Shi
Yang Zhiyi
natural aesthetics
"absolutely natural"
literary and artistic creation
