摘要
20世纪上半叶中国戏曲史的书写受到近代西方自然科学和社会科学的影响而展示出开放、兼容的学术视野。戏曲史家秉持进化的戏曲史观,在“以案头为中心”与“以剧场为中心”两个不同的书写向度下,借鉴、融合跨学科理论,运用实证主义等研究方法重新观察研究分散的戏曲史料,强化戏曲史写作体例结构的整体性,加深对戏剧史实的比较阐释,以准确把握戏曲形态演化的基本规律。
Open and inclusive academic perspectives were seen in the writing of Chinese traditional opera history in the first half of the 20thcentury, which was influenced by modern Western natural science and social sciences. With the evolved traditional opera historical perspective, in two differentiated writing dimensions of “desk center” and “theater center”, opera historians learn and integrate interdisciplinary theories and use positivist methodologies to re-observe the scattered historical materials of traditional opera, to strengthen the integrity of the writing structure of traditional opera history, to deepen the comparative illustration of theatrical history, so as to precisely grab the basic principles of the evolution of theatrical forms.
作者
钱志中
Qian Zhizhong(Nanjing University of the Art;Jiangsu Zijin Cultural and Creative Research Center,Nanjing,Jiangsu,210013)
出处
《民族艺术研究》
2023年第1期18-25,共8页
Ethnic Art Studies
基金
国家社会科学基金艺术学重大项目“跨门类艺术史学理论与方法研究”(项目批准号:20ZD25)
江苏省高校哲学社会科学重点项目“民国时期江苏地区戏班研究”(项目批准号:2018SJZDI155)的阶段性研究成果。
关键词
20世纪上半叶中国戏曲史
跨学科书写
戏曲史观
书写范式
Chinese traditional opera history in the first half of the 20th century
interdisciplinary writing
historical perspective of opera
writing paradigm
