摘要
王国维《宋元戏曲史》是中国戏剧研究的开山之作 ,本文论析王国维在戏剧起源、宋金杂剧、元杂剧、南戏等方面所取得的成就以及后来人对王国维的超越或者从他曾经达到的学术水准向下跌落 ;又从民族戏剧的研究立场和方法着眼 ,分析《宋元戏曲史》“外来之观念”、“史学家之家法”、“文学家之眼光”等三种思维路径对后来人产生的正反两方面的影响。
It is well-known that Wang Guowei’s The Theatrical History of Song and Yuan Dynasties is the first outstanding work in the scholarship of the classic Chinese theatre This text analyzes Wang Guowei’s achievements in presenting the theatrical origins, the miscellaneous dramas (杂剧) of Song and Jin Dynasties, the miscellaneous dramas of Yuan Dynasty and the Southern dramas(南戏) , etc It also shows concerns for Wang’s thinking ways, such as his “foreign concepts”, “historical methods” and “literary vision”, and their positive and negative influence upon the descendants
出处
《文学遗产》
CSSCI
北大核心
2005年第2期127-137,共11页
关键词
《宋元戏曲史》
王国维
论析
元杂剧
文论
民族戏剧
南戏
史学家
文学家
家法
Wang Guowei, The Theatrical History of Song and Yuan Dynasties ,Chinese theatre, history of the scholarship
