摘要
威尔第歌剧合唱部分极为出彩,大歌剧的恢宏与变幻在其中得到淋漓尽致的表现。本文从声部组合、齐唱和织体等方面对其歌剧合唱进行剖析,发现合唱中声部的设置、齐唱和齐唱变体的合唱效果及利用不同织体形式可形成各种合唱场面。威尔第灵活地运用各种织体塑造出鲜明的音乐形象,表现鲜活的戏剧场景,强有力地推动戏剧情节。在其合唱的织体运用方面以同节奏织体为主,不同节奏织体为辅。同节奏织体在和弦方面常用柱式和弦,表现群体形象及烘托戏剧场景,不同节奏织体用于主人公抒发情感。这体现出合唱作品不必固守单一的织体形式,而是可以随着内容及情绪的展开来灵活变通。
The choral part of Verdi’s opera is characterized with extraordinary brilliance,displaying the style of grandeur and unpredictability.In this paper,analysis are made over the concerted singing,combination of parts,and texture in Verdi’s opera.It is discovered that in the chorus the setting of parts,the concerted singing,the choral effect of its variants and the use of different texture forms can form various chorus scenes.Verdi flexibly used various textures to create distinctive musical images,express vivid dramatic scenes,and strongly promote the progress of dramatic plots.In the application of choral texture,the texture of the same rhythm is the main part,and the texture of different rhythms is the auxiliary part.In terms of chords,the textures of the same rhythm often uses column chords to express group images and foreground dramatic scenes.The textures of different rhythm are used for the protagonists to express their emotions.This shows that choral works do not have to restrict itself to a single texture form,but can make flexible use of texture with the development of plots and emotion.
作者
程天语
魏扬
Cheng Tianyu;Wei Yang(Shanghai Normal University,Shanghai 200233)
出处
《新疆艺术学院学报》
2022年第4期18-29,共12页
Journal of Xinjiang Arts University
