摘要
在2000年至2020年这20年间的中国话剧舞台上,契诃夫戏剧演出在吸纳外国引进戏剧的审美表达及剧场观念和探索中国话剧的现代化路径的交织中不断前进,体现了不同导演对于契诃夫戏剧中的思想、冲突、体裁、抒情氛围的不同阐释,在剧目选择、表演风格、导演理念、演出团体、受众群体、演出效果等方面别有特色。总的来说,契诃夫戏剧在中国当代的舞台阐释从单一的现实主义、斯坦尼斯拉夫斯基传统扩展为多元性、先锋性、风格化的演剧样式,并逐步与国际戏剧界相接轨,向与契诃夫戏剧对话、解构经典的方向迈进。
Chekhov’s drama performed in Chinese theaters during the 20 years from 2000 to 2020,has been drawing lessons from modern foreign drama in terms of aesthetic expressions and theater theories while promoting the modernization of Chinese drama.Directors have offered diversified interpretations of thought,conflict,genre,and lyrical atmosphere,boasting unique repertoire selection,acting style,directing,actors,audience,stage effect etc.In general,Chekhov’s drama on contemporary Chinese stage have transcended realism and Stanislavsky tradition to become more diversified,avant-garde,and stylized,which integrates better with foreign theatrical community,featuring talking with Chekov and deconstructing the classics.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2022年第5期90-99,共10页
Drama:The Journal of the Central Academy of Drama
基金
2021年度国家社科基金艺术学一般项目“契诃夫戏剧与中国话剧的现代性追求”(项目编号:21BB030)的阶段性成果。
关键词
契诃夫
戏剧
舞台阐释
Chekhov
drama
stage interpretation
