摘要
艺术的发展很大程度上是围绕着“创作”进行,舞蹈与音乐作为最古老的艺术门类,始终是反映人类社会和现实生活的有力“证据”,而随着科技的发展,创作有了新的手段和理念。与此同时,舞蹈与音乐艺术也进入了现代语境中,两者有着相似的创作理念和思维,同为表情艺术,它们在创作中还有更为深入的联系。文章通过审美、结构、技法三个层面来比较分析舞蹈与音乐创作中的同质性思维,从而反映两种艺术在创作过程中相互借鉴、相互促进的作用。希望能获得两种艺术门类横向借鉴的经验,从而更好地进行艺术创作。
The development of art largely focuses on "creation". As the oldest art category, dance and music are always solid "evidences" which reflects human society and reality. With the development of science and technology, new ideas and means have entered into the area of artistic creation. Dance and music art which have entered the modern context have similar creative ideas and thinking, and as expressive art, they have a in-depth connection with each other in term of creation. This article compares and analyzes the homogeneous thinking between dance and music creation from three aspects including aesthetics, structure and techniques, to show their mutual reference and mutual promotion in their creation in hope that some experience of mutual reference can be obtained to enhance the artistic creation.
作者
闫晋
Yan Jin(Capital Normal University,Beijing 100048)
出处
《新疆艺术学院学报》
2022年第3期27-34,共8页
Journal of Xinjiang Arts University
关键词
舞蹈与音乐
同质性
创作思维
叙述方式
隐喻
Dance and Music
Homogeneity
Creation Thinking
Narrative Mode
Metaphor
