摘要
立足对朗西埃政治美学思想国内研究现状的整体把握和理论反思,理解当今资本主义社会新自由主义政治体系下的不平等现实,把握后马克思主义美学研究新进展,致力为当代中国政治美学研究提供新思路。
As a representative figure in contemporary French post-Marxists, Jacques Rancière pioneered an aesthetic paradigm with “perceptual distribution”as the core through redefining the concepts of “politics” and “police”. Further exploration of the relationship between emancipation and equality leads to an important conclusion that “aesthetic subject” and “political subject” have the same origin. Through micro-inquiry of aesthetic political emancipation, we try to pioneer and innovate the realistic path of human emancipation from the aesthetic perspective. Based on the overall grasp and theoretical reflection of the domestic research status of Rancière’s political aesthetics and from the perspective of political aesthetics, this paper understands the reality of inequality under the neoliberal political system of today’s capitalist society, grasps the new development of post-Marxist aesthetics research, and commits to providing new ideas for contemporary Chinese political aesthetics research.
作者
孙琳琼
王馨雨
SUN Linqiong;WANG Xinyu(School of Marxism of Hebei University of Technology,Tianjin 300401,China)
出处
《四川文理学院学报》
2022年第4期29-33,共5页
Sichuan University of Arts and Science Journal
基金
河北省社会发展研究课题“马克思主义哲学视域中‘美好生活’的理论基础与实践逻辑研究”(200802010101)
河北省高等学校青年拔尖人才项目“河北省高校审美教育融入思想政治教育的现状及路径研究”(BJ2017067)。
关键词
雅克·朗西埃
政治美学
审美平等
“感性配享”
Jacques Rancière
political aesthetics
aesthetic equality
distribution of sensibility
