摘要
“身体图像”作为一类重要的作品形态,很大程度上体现并代表着艺术家群体的艺术实践风格,中国现代女性艺术家创作的“自画像”受到身体文化隐喻观念的影响,其主体性与身体图像呈现断裂状态;中国当代女性的身体图式则转向“自我图像”,这种图像确立了女性艺术家自知与自治的主体性,内含着“我”与“世界”的交织,然而,女性艺术家在女性个体与人类共性的差异问题上陷入一种悖论式困境,这导致其身体图像表意上的局促;如何将异质性因素纳入身体图像的创制之中,并生成图像文化的普遍价值,是女性艺术家群体面临的挑战。
As an important form of works, “body image” largely embodies and represents the artistic practice style of the female artist group. The “self-portraits” created by Chinese contemporary female artists are influenced in a complex fashion by the metaphorical concept of body culture, and their subjectivity and body images are in a state of rupture. The body schema of contemporary Chinese females turns to “self-image”,which establishes the subjectivity of female artists’ self-knowledge and autonomy, expounding the interweaving of “self” and “world”. However, female artists are bogged down in paradoxical predicament on the issue of the differences between female individuality and human commonality, which leads to the representational cramps of their body images. How to incorporate heterogeneity into the creation of body images and generate the universal value of image culture is a challenge facing female artists group.
作者
王欣
WANG Xin(International Center for Philosophy,BNU,Zhuhai 519087;School of Philosophy,Center for Studies of Values and Culture,BNU,Beijing 100875,China)
出处
《北京师范大学学报（社会科学版）》
CSSCI
北大核心
2022年第3期77-83,共7页
Journal of Beijing Normal University(Social Sciences)
基金
北京师范大学校级科研项目“从‘图像性’到‘艺术性’的生成研究”(111032101)。
