摘要
16~18世纪不仅存在一个自成谱系的空间观念演进史,而且是当代理论家立足于后现代语境思考空间问题的必要前提。因此,借助业已被高度理论化的空间概念对其进行历史性的回溯,也成为理解西方现代性进程及其空间思想史总体脉络的重要工作之一。线性透视法在这一时期兴起,并最终成为宰制西方艺术史数百年的视觉体制和空间话语,则是其中最引人注目的现实议题。其背后所隐含的传统与现代的辩证对立关系、空间观念的文化建构意味等一系列思想史问题,皆可通过美学视野下的理论反思得到一定程度的说明。
Taking the 16th-18th centuries as a timeline,the spatial issues in the pre-history of Western modernity are both important and have not been discussed in depth.This period contains a history of the evolution of spatial concepts with its own genealogy,and is also the necessary premise for contemporary theorists to discuss spatial problems in a postmodern context.Therefore,it has become one of the important tasks to understand the process of Western modernity and the overall history of spatial thought with the help of highly theorized spatial concepts.The rise of linear perspective in this period,which eventually became the visual institution and spatial discourse that dominated Western art history for centuries,is one of the most striking realistic issues.A series of intellectual history issues,such as the dialectical antagonism between tradition and modernity,and the cultural construction of spatial concepts,can be explained to a certain extent through theoretical reflection from this aesthetic perspective.
出处
《文化研究》
2022年第4期65-81,共17页
Cultural Studies
基金
国家社科基金一般项目“20世纪艺术哲学语境中的空间思想研究”(16BZX117)阶段性成果。
关键词
现代性前史
空间话语
线性透视法
Pre-history of Modernity
Spatial Discourse
Linear Perspective
