摘要
行走是体验城市的最基本方式,经典的城市行走文学形象是19世纪巴黎“都市漫游者”(flaneur)。20世纪早期的巴黎作为引领世界文艺创新的中心,吸引了众多美国作家和艺术家纷纷汇聚塞纳河畔,漫步巴黎街道。侨居巴黎的美国作家通过回忆录、小说、新闻报道等不同叙事形式诉说巴黎的城市空间体验。20世纪早期美国文学中的巴黎都市漫游既承袭了19世纪的传统印记,也呈现出不同历史时代的鲜明特征,概括为以下六点:城市漫游者兼世界主义漫游者的双重身份、法国与美国之间的阈限人、与都市人群的主动融入、日常都市景观的具身体验、对流动性加速的反思、战争创伤后的救赎。
Walking is one of the best ways to explore a city. A classic figure of a city walker is a “Flaneur”, emerging from early 19th century Paris. In the 1920s, Paris was a world-leading center of artistic and literary innovation and attracted many American writers and artists to the Left Bank. These expatriate American writers presented their experiences of walking through and observing the city in different forms of narratives such as memoirs, newsletters, novels, and travelogues. Representations of American Flanerie in Paris in early twentieth-century American literature bore the mark of the nineteenth-century Flaneur tradition, but also presented distinctive features of its own era, which could be summarized into the following six aspects: the dual identity of urban Flaneur and cosmopolitan Flaneur;the liminal state between French and American people;the active integration into urban community;the embodied experiences of everyday cityscape;the reflection on mobility acceleration;and the healing of war trauma.
作者
刘英
石雨晨
Liu Ying;Shi Yuchen
出处
《南开学报（哲学社会科学版）》
CSSCI
北大核心
2022年第2期99-106,共8页
Nankai Journal:Philosophy,Literature and Social Science Edition
基金
国家社会科学基金重大项目(16ZDA197)。
关键词
都市漫游
空间研究
流动性
闲逛
感官转向
Flanerie
Literary Spatial Studies
Mobility
Cityscape
Sensual Turn
