摘要
"浪荡子"是西方现代美学思想史上不可或缺的关键词之一。立足于其滋生演化的具体历史语境,浪荡子可以被理解为现代性的英雄。通过一种基于都市空间的文本与视觉实践,浪荡子身上所蕴含的现代生活的英雄主义主题和光辉,集中体现在对现代性幻景及其以进步为纲的线性历史叙事逻辑的深刻反思之中。这一概念在媒介技术、女性形象等维度所展示的理论阐释潜能,则在更开阔的阐释空间中,进一步揭示出浪荡子作为一种现代性隐喻和方法论手段的美学思想史意义。
The flaneur is one of the indispensable key words in the history of western modern aesthetics.Based on the specific historical context of its evolution, flaneur can be understood as the hero of modernity.Through a textual and visual practice based on urban space, the heroic theme and brilliance of modern life contained in flaneur are embodied in the profound reflection on the phantasmagoria of modernity and its linear historical narrative logic based on progress. The theoretical interpretation potential of this concept in the dimensions of media technology and female images further reveals the historical significance of flaneur as a modern metaphor and methodology.
作者
李健
Li Jian(School of Arts,Nanjing University,Nanjing 210093)
出处
《浙江社会科学》
CSSCI
北大核心
2020年第8期127-133,159,160,共9页
Zhejiang Social Sciences
基金
国家社科基金重大项目“美学与艺术学关键词研究”(17ZDA017)
国家社科基金一般项目“20世纪艺术哲学语境中的空间思想研究”(16BZX117)的阶段性成果。
关键词
浪荡子
现代性
英雄主义
都市空间
幻景
flaneur
modernity
heroism
urban space
media spectacle
phantasmagoria
