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中国宋代插花艺术的审美价值——以李嵩《花篮图》为例 被引量:2

The Aesthetic Value of the Flower Arrangement Art in Song Dynasty——Take Li Song’s Painting Flower Basket as an Example
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摘要 中国古代插花艺术源远流长,在宋代已经达到鼎盛时期。作为中国传统文化的构成之一,复原古代书画中的插花艺术,通过对其材料层、形式层、内容层、场景层的具体分析,从而为观者带来更为全面的审美体验,以满足追求美好生活为目标的精神文化需求,为传统文化在当下社会生活中的传承与发展重新焕发活力、赋予生命色彩。 The art of flower arrangement in ancient China has a long history and reached its peak in the Song Dynasty. As one of the components of Chinese traditional culture, the restoration of flower arrangement art in ancient calligraphy and painting needs in-depth discussion at different levels. Through the specific analysis of its material, form, content and scene, it can bring a more comprehensive aesthetic experience to the viewers, so as to meet the spiritual and cultural needs of pursuing a better life, and revitalize the inheritance and development of traditional culture in the current social life.
作者 苏曼林 SU Man-lin(Qingdao Huanghai University,Qingdao,Shandong,266555)
机构地区 青岛黄海学院
出处 《泰山学院学报》 2022年第2期108-111,共4页 Journal of Taishan University
关键词 插花艺术 显性层面 传统文化 the art of flower arrangement dominant level traditional culture
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