摘要
津岛佑子的中期代表作《水光闪耀的时代》通过二战记忆的再现,将20世纪90年代初战争频发的时代描写纳入更大的历史景深中,以小人物痛苦的战争创伤记忆和身份认同危机展现战争的残酷以及种族歧视、霸权主义的罪恶。小说的创伤书写、乌托邦描写与反战主题相呼应,在历史性和文本性的相互映射中,反思人类生存现状与未来。乌托邦的幻灭与重构在反映少数族裔群体创伤的同时,为小说灰暗的现实主义基调添加了理想主义色彩,展现了作者建构人类共同体的美好愿望和现实关怀。
Yuko Tsushima’s representative novel The Age of Glary Water in her mid-stage writing career puts the 1990 s in a broader historical background through the recollections of World War II. The novel reveals the cruelty of war and the evils of racial discrimination and hegemonism through the characters’ painful traumatic memories of war and identity crisis. The traumatic writing and utopian description of the novel reflect the writer’s anti-war tendency,and her rethinking of the status quo and future of human existence in the co-reference of history and text. The disillusionment and reconstruction of utopia not only reflect the trauma of minority groups,but also add idealistic color to the gloomy realist tone of the novel,showing the author’s good wish of building a human community and realistic concern.
出处
《广东外语外贸大学学报》
2022年第2期100-109,159,共11页
Journal of Guangdong University of Foreign Studies
基金
国家社会科学基金一般项目“中上健次小说创作研究”(13BWW022)。
