摘要
21世纪以降,随着世界文化全球化和全球文化商业化的快速嬗变,韩国政府大力推动韩国电影振兴事业,在确立后民族电影主体性的前提下,积极借鉴好莱坞类型电影成规及欧美国家艺术电影经验,勠力探寻自我表达与观影认同的深广度建构并逐渐形成比较成熟的本土类型(或样式)。在颇为宽松的文化语境与较为多元的类型视阈下,韩国“新新电影”成功接续“韩国新电影”的创作大纛,直击大众文化心态与情感需求,以本民族乃至人类共同的价值观表达,一次次赢得本土及境外电影展演、观影市场的高度认同。思及人类命运共同体建构及其艺术美学观的启示,从语义命名、创作实绩、影像表达、人文倾向等方面对其进行深入分析和探究,于韩国电影的未来发展不无裨益;当然,此种探讨于中国电影的当下和未来实践亦有借鉴价值。
Since the 21 st century,with the globalization of world culture and the rapid evolution of global culture commercialization,the Korean government has vigorously promoted the revitalization of Korean films.On the premise of establishing the subjectivity of post national films,it has actively learned from the rules of Hollywood type films and the experience of art films in Europe and America,strive to explore the deep and wide construction of self-expression and film viewing identity,and gradually form a more mature local genre(or style).Under the relatively loose cultural context and diversified genres,Korean"new-new film"successfully continued the creation banner of"Korean new film",directly hit the mass cultural mentality and emotional needs,expressed with the common values of the nation and even mankind,and won the high recognition of the local and overseas film exhibition and viewing markets again and again.Considering the construction of the community of human destiny and the enlightenment of its artistic aesthetics,this paper makes an in-depth analysis and exploration of it from the aspects of semantic naming,creative achievements,image expression and humanistic tendency,which will be beneficial to the future development of Korean films;Of course,this discussion also has reference value for the current and future practice of Chinese films.
作者
峻冰
温艳
JUN Bing;WEN Yan(School of Literature&Journalism,Sichuan University,Chengdu y Sichuan 610064)
出处
《艺术百家》
CSSCI
北大核心
2022年第1期118-127,共10页
Hundred Schools In Arts
基金
四川省学术与技术带头人项目“当代中外电影创作比较研究”(项目编号:川人社办发[2016]183号)阶段性成果之一。
关键词
韩国“新新电影”
语义命名
创作现状
人文倾向
Korean"New-new Film"
Semantic Naming
Creative Status
Humanistic Tendency
