摘要
上海"孤岛"时期是中国电影的特殊年代,以往史述多认为该时期古装片泛滥,作品整体价值不高。而事实上"孤岛"存在大量的"时装片",约占其整体数量的三分之二。它们与世界电影高度同步,体现出对西方电影类型的杂糅,同时也以多种方式体现了"孤岛"特殊状况下拥挤的空间和窘迫的生存状态,充斥着被围困中的人对于黑暗都市的奇诡想象,展现出"孤岛"漂泊者的苦闷与悲哀,具备相当的艺术价值,理当获得其应有的历史评价。
The“Solitary Island”period in Shanghai was a special era for Chinese films.Many historical accounts believed that ancient costume films were flooded in this period,while the overall value of such works was not high.In fact,during this era,a large number of modern films that can be classified in certain genre were produced,and were the majority of the total film production.Such films not only reflected the crowded space and the poor living condition under the“Solitary Island”period in many ways,also showed the strange imagination of the besieged people about the dark city,as well as the anguish and sorrow of the island vagrants.Therefore,those films have considerable artistic value and deserve a fair historical evaluation.
出处
《电影艺术》
CSSCI
北大核心
2022年第1期146-154,共9页
Film Art
基金
国家社会科学基金艺术学项目“中国电影产业史(1905—1949)”(批准号:21BC049)阶段性成果
江苏高校哲学社会科学研究重点项目“江苏早期电影家与中国电影学派”(批准号:2018SJZDI153)阶段性成果。
关键词
“孤岛”时期
时装片
类型
黑暗
“Solitary Island”period
modern film
genre
noir
