摘要
"韩国新电影"和中国电影"新生代"二者尽管外部形态迥异,但却具有相通的内在旨趣,即都呈现出边缘书写和主流皈依的分化态势。而大致相仿的社会文化语境及创作主体选择的个性化则是导致这种创作状况的主要因由。
New Korean Films' and 'Neo-generation' of Chinese Films share the common attributes in cultural orientation and artistic appreciation despite dissimilar presentations, characterized by the ramifying trend among them between marginal writing and conversion to mainstream. The reason for this ramification lies in the clash between overwhelming social context and individuality.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2004年第3期60-68,共9页
Journal of Sichuan University：Philosophy and Social Science Edition
关键词
“韩国新电影”
中国电影“新生代”
边缘书写
主流皈依
New Korean Films'
'Neo-generation' of Chinese Films
marginal writing
conversion to mainstream
