摘要
通过对广西民族博物馆壮族服饰标本的整理和壮族传统服饰保存状况的田野调查发现,壮服存在"衣+裙""衣+裤"和"衣+裙+裤"3种基本组配形制。从"衣+裙"的原生性、"衣+裤"的输入性到"衣+裙+裤"的融合性发展脉络,说明壮族服饰"为我所用"受发展民族独特性文化观念的影响,壮族服饰"三制"也是"一体多元"中华文化特质的生动实证。
Through the arrangement of Zhuang costumes specimens in Anthropology Museum of Guangxi and the field investigation on the preservation of Zhuang traditional costumes,it is found that there are three basic matching systems:"coat+skirt""coat+trousers"and"coat+skirt+trousers".From the original nature of"coat+skirt",the non-original nature of"coat+trousers"to the integration of"coat+skirt+trousers",it shows that the Zhuang costumes is based on the development of the cultural concept of ethnic group uniqueness.The"three kinds of form"of Zhuang costumes is also a vivid demonstration of the Chinese cultural characteristics of"diversification and unity".
作者
樊苗苗
刘瑞璞
FAN Miaomiao;LIU Ruipu(Anthropology Museum of Guangxi,Nanning 530028,China;College of Fashion Art and Engineering,Beijing Institute of Fashion Technology,Beijing 100029,China)
出处
《服装学报》
2021年第6期515-521,共7页
Journal of Clothing Research
基金
中国传统服饰文化的抢救传承与设计创新人才培养项目(NHFZ20190110)
广西哲学社会科学规划研究课题项目(21FMZ034)。
关键词
壮服三制
原生性
输入性
融合性
three kinds of form of Zhuang costumes
original nature
non-original nature
integration
