摘要
从出土文物和文献记载来看,南宋"川杂剧"的演出以滑稽调笑为目的,敢于针砭时弊,讽刺现实。部分"川杂剧"三段式的演出形式和演员装扮,也明显受到了宋金杂剧的影响。但"川杂剧"的发展过程中,未像宋金杂剧一样形成规范的脚色行当体制,其演出形式自由随意,往往根据故事内容和演出需要设定演员人数。南宋"川杂剧"的繁荣,与成都地区安定的社会环境和繁荣的经济文化密切相关,成都地区悠久的演艺传统、伎艺高超的演员以及俗尚游乐的风气,也为川杂剧的发展提供了适宜的社会环境。
According to the unearthed cultural relics and literature records, "Sichuan zaju" in the Southern Song Dynasty focuses on teasing others, criticizing its contemporary social problems and satirizing the reality as well. Some performances from "Sichuan zaju", with their threesectioned forms and special costumes for actors, are obviously influenced by the zaju of the Song and Jin Dynasty. However, in the development process of "Sichuan zaju", there is no standardized system for the type of roles like that of zaju in the Song and Jin Dynasty. In Sichuan zaju, its form of performing is free and arbitrary, and the number of actors is often set according to the content of the story and the needs of the performance. The prosperity of "Sichuan zaju" in the Southern Song Dynasty was closely related to the stable social environment, thriving economy and prosperous culture in Chengdu area. Besides, Chengdu’s long-honored performing tradition, superb-skilled performers and the atmosphere of advocating amusement also provide a suitable social environment for its development.
作者
苏娟
延保全
Su Juan;Yan Baoquan
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2021年第4期131-144,共14页
Drama:The Journal of the Central Academy of Drama
基金
国家社科基金重点项目“西南地区古戏台文物文献资料搜集、整理与研究”(项目编号:18AZD026)的阶段性成果
2020年度山西省研究生教育创新项目“明清山陕会馆及其演剧活动研究”的阶段性成果。
关键词
“川杂剧”
宋金杂剧
戏曲文物
Sichuan zaju
Song Jin zaju
Opera cultural relics
